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The Forgotten Artist, The Story of Evylena Nunn Miller by Leslie Compton

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On Sale: August 24, 2022
Biography of an American Artist in the 1920s – 1960s
Includes over 50 full color images

Much of the evidence of women’s struggle for recognition in the arts has disappeared and so have those who have taken part in them. In the 21st Century, with women comprising 50 percent of professional artists, we cannot afford to neglect the achievement of this segment of the population.

Leslie Compton introduces you to one of those women, her Great-Aunt, Evylena Nunn Miller through her new book, The Forgotten Artist.

Evylena Nunn Miller, was born on July 4, 1888, in Mayfield, Kansas relocating to Santa Ana, California with her family in 1903. Maturing as an accomplished painter, she became a leader among her contemporaries, eager to help artists by establishing scholarships, creating new venues for exhibitions, lecturing, teaching and lending impetus to women’s organizations so they would be recognized among the male dominated artistic community.

Among her many achievements, Evylena became the youngest artist to have a painting accepted by the Smithsonian Institution.

Evylena’s landscapes were her view of the world. Her life force was her faith and her paintings were acts of faith as you will see through the many photographs of her art in The Forgotten Artist.

Leslie Compton
Mary Anne Lyles, contributor

LeslieCompton.com
women artists / 1920s / American painters / landscape painting /

Available everywhere books are sold
380 pages
8.5″ x 11″
Full Color, over 50 paintings
978-1-944072-44-5  Hardback  $99.99
978-1-944072-45-2  Paperback  $59.99
978-1-944072-46-9  Ebook – EPUB  $9.99
978-1-944072-69-8  Paperback (Amazon)  $59.99

THE FORGOTTEN ARTIST, The Story of Evylena Nunn Miller by Leslie Compton

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~ BIOGRAPHY / WOMEN ARTIST / 

About the Author Leslie Compton

ON SALE: AUGUST 24, 2022
PREORDER From First Steps Publishing, Amazon Barnes and Noble, or everywhere books are sold.

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“emotion [is] a key factor in the creative process—an artist’s business is to produce for the spectator of his picture the impression produced by nature on himself.”

— Thomas Moran
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Much of the evidence of women’s struggle for recognition in the arts has disappeared and so have those who have taken part in them. In the 21st Century, where women comprise fifty percent of the professional artists, we cannot afford to neglect their achievement. Leslie Compton introduces you to one of those women, her Great-Aunt, Evylena Nunn Miller, The Forgotten Artist.

Evylena, was born on July 4, 1888, in Mayfield, Kansas relocating to Santa Ana, California with her family in 1903. Maturing as an accomplished painter, she became a leader among her contemporaries, eager to help artists by establishing scholarships, creating new venues for exhibitions, lecturing, teaching and lending impetus to women’s organizations so they would be recognized among the male dominated artistic community.

Evylena Nunn Miller’s paintings are her view of the world that she embraced as well as her view of life. She mirrors her philosophy of life in her depiction of nature. For Evylena, her life force was her faith and her paintings were acts of faith. She employed the content and symbolism of religious tradition as a source of inspiration.

In painting she expressed her own individual experiences, thoughts and imagination, using her own personal language, (understood by many), a language of mind, heart and hand. It was not her intent to expect viewers to recognize spirituality in her work. The fabric of her private devotion did not overlay her painting, but there is little doubt it contributed to its strength. Landscapes were her particular domain and it was there she was inspired by the Divine Creator.

Evylena Nunn Miller lived a long, productive life. While she rose quickly as a talented artist, this was but one facet of her character. This dynamic woman was a leader among her contemporaries, eager to help other artists by establishing scholarships, creating new venues for exhibitions, lecturing, teaching, and lending impetus to women’s organizations so they would be recognized among the male dominated artistic community.

Among her many achievements, Evylena became the youngest artist to have a painting accepted by the Smithsonian Institution.

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“How may we measure Evylena’s contribution to painting? By her poetic record of California’s landscape, by the lives of the Indians of Arizona and New Mexico, or by paintings of the Holy Land? These were all created with the heartfelt sincerity that God’s hand had created, this magnificence while her brush endowed her painting with the integrity of her faith.”

—Mary Anne Lyles, Ph.D., and Leslie Jean Compton, author
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LeslieCompton.com

Evylena Nunn Miller / Women Artist Biography / Western US Biography Arts & Photography Artists / Painters Women Artists, Individual Artists, History (1920s-1960s)

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Visit LeslieCompton.com

SPECTER ~ The Lazarus Project, A Paranormal Suspense Thriller

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S.P.E.C.T.E.R. - The Lazarus Project, Book 1READ A SAMPLE | SHARE | BUY
~ A PARANORMAL SUSPENSE THRILLER

See all Books by Carrie Merrill

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In the afterglow, the grid vanished, and Ryan’s breath caught in her throat when she saw what remained. There was Jean, walking through her living room just as she had imagined her. Except, this woman was outlined in a halo of blue light—a hologram with every living detail that had been Jean—when she was alive.
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When gifted homicide detective Ryan Mills is recruited to a top-secret FBI division known as S.P.E.C.T.E.R., the world of the supernatural becomes more real than she could have ever imagined. She is introduced to an incredible device known as LAZARUS, which can replay the events of a crime with the smallest pieces of available evidence. With the help of her new partner, Special Agent Sam Masters, and Dr. Matthew Holbrook, the research scientist who created Lazarus, Ryan is plunged into the paranormal exploration of unsolved murders.

But Ryan holds a secret, one she can’t share with her partner or Holbrook. That secret comes back to haunt her when a homicide crime scene holds clues to someone from her past and has torn at the edges of an eighteen-year old cold case: the disappearance and possible murder of her own sister. The killer has scrawled a message meant only for Special Agent Ryan Mills:

“Yesterday, upon the stair, I met a man who wasn’t there . . .”

He’s back. The only person who knows what happened to her sister. And he knows something about Ryan too… something even she doesn’t know—yet.

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A Carrie Merrill novel. Visit CarrieMerrill.com

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